Answers · Pricing your work
Published October 14, 2026

Every stage of a project has a price per action, so the cost side of a quote is computable before the client says yes. The read is charged once for the whole script, by its length and language. Each episode's storyboard is charged separately, by that episode's length — and a re-run costs the same as the first pass. Video is charged by the second of output, per segment, at the rate of the resolution tier you choose. The composite is charged once per episode, by the finished length. Reference images are billed individually, with the first fifteen per account free across characters, scenes and props.
The pricing page costs a concrete example out, and it is a realistic freelance job — a ten-episode micro-drama, ninety seconds an episode: reading the script about 36 credits, the ten storyboards about 90, the video at the entry tier about 9,000, assembling the ten episodes about 900 — roughly 10,026 credits in all, about $62 at the lowest credit price. Note the shape of that number, because it is the shape of every AI video quote: the seconds of video are the bill, and everything else is rounding next to them.
Two things keep the floor honest. A shot that needs five attempts is five purchases at the same per-second rate, so the floor moves with how hard the material is. And the cheapest way to change your mind is free: editing the storyboard text costs nothing and re-renders only the segments you actually changed — the micro-drama cost walkthrough builds the same ledger episode by episode.
The machine time is measurable: the median episode is seven segments and the median segment is fourteen seconds, machine time for a video segment runs a few minutes at the median, and segments generate in parallel — so a typical episode is around a quarter of an hour of machine time, not a day. Your time is the part the platform cannot meter for you: the read and the retries, watching the cuts, and the client conversation itself.
The corpus gives one honest calibration point for what dominates the budget. It comes from a fan-trailer project thread in the collection, where the comparison with physical production is the reply's whole point:
compared to physical production, the big cost for this is time. The credits were way less than $1000.
That reply sits under a personal project thread on a tool-specific board in the collection — no link, for that reason — and the observation transfers to client work directly: the hours you spend producing and revising are the line item nobody besides you can price.
Revision policy is where freelance quotes quietly die, and the corpus has an answer for it: the highest-scored reply in a thread about endless client feedback is to meter revisions past the second round.
2 revisions free. Additional revisions $100/hr. Watch how quickly they start approving your videos.
That comment sits in a working-pros thread on client feedback, and it transfers to AI video more cleanly than it first looks. A changed line of dialogue updates the text for free, a changed shot re-renders that segment, and a changed storyboard re-runs the board before anything re-renders — three different sizes of "one more tweak", each with a visible price on this side. Quote two rounds free with the third metered and the conversation about taste becomes a conversation about numbers.
In a build thread pricing animated and generated content, the rule of thumb the commenter offers is a rate per finished minute:
Roughly $50 - $100 per minute is a good rule of thumb, depending on how exacting your vision and complicated your shot is.
That is a pipeline thread on a general board, and the range should be read the way it was written: per finished minute of exacting output, before your platform costs and before any retries. Around it, the corpus shows how the pricing question splits by scope: the brand-video pricing ask is rare compared with the cost-a-high-end-film question at 83 posts, and the ads and commercial cluster — where most paid work lives — runs to 11,000 posts:
| Rule-matched count | Posts |
|---|---|
| The brand-video pricing question | 25 |
| The high-end film cost question | 83 |
| Ads and commercial labels | 11,000 |

The counts follow the collection method used across this section — rule-matched labels over a fixed window, rounded, not a survey of rates.
The pipeline's own charges: the script read once by its length, the storyboard per episode, video by the second of output, and the composite by the finished length. Everything else in your quote — your hours, your rounds, your margin — sits on top of that number.
Yes; every attempt is a purchase at the same per-second rate, so a retry budget has to be priced in from the start rather than discovered at the end of the month.
The highest-scored reply in the client-feedback thread on this page prices it as two rounds free, then an hourly rate. On this pipeline a text edit costs nothing and re-renders only the segments you changed, so each round has a visible, metered cost you can pass through or absorb.
Treat it as a sanity check rather than a rule. The rate practitioners quote covers their entire effort per finished minute; your floor varies with resolution tier, segment count and how many attempts the shots needed.
For the cost side in more detail, why video costs more than everything else breaks the bill down by stage, and the retry multiplier explains why the attempt count — not the runtime — is what eats a budget. If the client work is still hypothetical, what the corpus says about making money is the honest version of that picture.
Run the read, count your segments at the tier you will deliver, and the generation side of your quote is a number you can defend line by line.
Sign up freeAll rates on this page are read from the live pricing page at build time.
Pricing·Novel to Video·Guides·Samples·Alternatives·Answers·Support·Privacy·Terms·Legal·Contact·Affiliate program·© 2026 SceneMixer