
Brief for AI Create: A mafia romance: a florist is married to the heir of a crime family to settle her father's debt; he promises never to touch her; his uncle wants the marriage to fail; she learns the family's ledger by heart; dark, slow-burn, protective.

Visual Style: Filmic Live-Action

Scene Style: Neon Nights

Scene Style: New York Metropolis

Scene Style: Urban Opulence

Costume Style: Power Tailoring

Costume Style: Jazz Age
Every generation passes the provider’s content check, and extreme violence is blocked; a scene built on someone being shot will fight the check. The genre’s best moments have always been the ones where nothing happens and everyone is afraid:
| Instead of | Write |
|---|---|
| A shooting | He sets a pistol on the table between them, grip toward the other man, and waits. Cut. |
| A beating | Two men walk a third into the back room; the door closes; she hears nothing, which is worse. |
| A murder | The next morning, an empty chair at the family table. Nobody mentions it. |
| A threat | He straightens the other man’s tie, slowly. “Your daughter starts school on Monday, doesn’t she?” |
A gun can be an object in the scene — holstered, on a table, in a drawer she finds. Firing at a person and showing the wound is the kind of shot that may be blocked as extreme violence. If a segment is blocked, change its storyboard text before retrying; repeated blocks pause video generation for 1 hour. Blocked by moderation: what to change.
Mafia stories are told through a handful of rooms that recur: the long dinner table, the study with the ledger, the club, the car. Make each one a location with its own image so it is the same room every episode, and use where people stand in it to show rank: who sits at the head, who stays by the door. Write the light: a single lamp on the desk, the rest of the study dark; red neon from the club sign across the wet windscreen. Same room in every episode · Everyone stays put.
| Beat | Shot |
|---|---|
| The dinner | [Shot 1] 5s: Opening: wide shot, fixed camera. The long table; @Don Matteo at the head; @Sofia at the far end, the only one not eating. @Don Matteo (mild, not looking up): Our guest isn’t hungry. Ambient: cutlery, a clock. |
| The protector | [Shot 2] 3s: Close-up. In frame only: @Luca. He sets his fork down; the table goes quiet. No dialogue. |
| The line | [Shot 3] 4s: Medium shot. @Luca stands behind @Sofia’s chair, one hand on its back. @Luca (quiet, to the table): She’s family now. Anyone who forgets that can say so. @Sofia lips closed, no lip movement. |
Nobody draws a weapon; everybody understands. How to write one shot.

The objects of a crime family — a signet ring kissed in greeting, a ledger, a crest on the gate — recur and should look the same each time. Check they have cards and images in step 2 and name them with @ in the shots they appear in. Keep the crest invented: real logos and emblems trigger the IP check. Same prop in every hand.

| Episode | What happens | The hook |
|---|---|---|
| 1 | Her father’s debt is called in; the price is a wedding. | The groom tells her he will never touch her — and means it. |
| 2 | The family dinner; the uncle tests her. | She notices the uncle’s ring is the wrong one. |
| 3 | She finds the ledger in the study. | Her father’s name is in it twice. |
| 4 | The uncle arranges an accident. | Her husband is the one who walks away from it. |
| 5 | The family chooses sides at the christening. | “Then let’s ask her who she’s loyal to.” |
A gun can appear as an object: holstered, on a table, in a drawer. Shooting someone and showing the wound may be blocked as extreme violence; cut at the threat and show the aftermath.
No. Real people and real organisations are not allowed. Invent the family, its name, its city and its crest.
Filmic Live-Action for deep shadows, with Neon Nights or New York Metropolis as the scene style and Power Tailoring for the wardrobe.
Yes. Pick Jazz Age or Vintage Hollywood as the costume style and a matching set, or write the era into the script.
Through other people: they go quiet, they stand, they look away. Write their reactions and keep his own delivery low and slow.
Yes. Choose Italian as the dialogue language and Mediterranean as the region in step 1.
Keep it to what a broadcast drama would show. Explicit content is not generated; a look, a held hand or a kiss that the camera leaves early carries the genre better.
Enough for the bargain to play out, often twenty to sixty short episodes. Make and post the first few, then continue in the same project.
One sentence in AI Create, or your own script, is enough to begin.
Updated October 13, 2026
Pricing·Novel to Video·Guides·Samples·Support·Privacy·Terms·Legal·Contact·Affiliate program·© 2026 SceneMixer