
Search your descriptions for the words masterpiece, 8K, HDR, cinematic, volumetric, subsurface; delete them and regenerate one sheet to compare.
Early image tools were steered by tags, and communities collected lists of words that seemed to help: “masterpiece”, “trending”, “8K”, “subsurface scattering”. The models used here were trained on captions and scripts written in ordinary language and are steered by sentences. The tag habit survives on forums; it does not survive contact with these models.

They dilute. Descriptions have a practical length; the model reads the first part most carefully and the tail loosely. Twenty tags in front push the scar and the lamp to the tail. They get painted. “Volumetric fog” brings fog; “lens flare” brings a flare across the face; “bokeh” blurs the room you wanted consistent. They fight the preset. The visual style preset already says live action or anime or 3D. “Photorealistic” inside an anime project asks for two things at once and gets a muddle. How to Choose Visual Style Settings.
The cinematographer’s vocabulary, in sentences: the light source and its side, the lens feel (“a long lens, background soft”), the framing (“medium shot, she is frame left”), the surface (“wool coat, matte”, “skin with visible pores, no retouching”). Every one of these is a thing the model can place. The full principle: Describe the Cause, Not the Result.
“No people, no text, no watermark, no extra limbs” is a list of nouns, and a list of nouns is an invitation. The models attend to what is named, not to the “no”. Say the positive: “an empty street”, “a plain wall behind her”, “only the two of them in frame”. The site’s own instructions are written this way for the same reason.
Resolution comes from the video tier you pick; look comes from the style preset; identity comes from the sheets; consistency comes from the storyboard. Tags touch none of these. Which tier for which purpose.
| Tag | What actually happens | Write instead |
|---|---|---|
| masterpiece, best quality | Nothing | Nothing; delete it |
| 8K, ultra HD | Nothing; resolution is the tier | Pick 720P or 1080P in the selector |
| cinematic lighting | Nothing, or random contrast | A single window on the left; a practical lamp on the desk |
| volumetric fog / god rays | Fog and rays appear | A layer of smoke in the room, one small window |
| no people, no text | People and text more likely | An empty platform; a blank sign |
They dilute the description and can be painted literally. Deleting them is a free improvement.
The style preset already decides that. Inside a live-action project it is redundant; inside a stylised one it fights the preset.
Say what it looks like: shallow depth of field, soft highlights, slight grain. Brand names add little.
Same effect. '杰作、超高清、电影感' does what 'masterpiece, 8K, cinematic' does.
Some are harmless and some are yours on purpose; the site trims what it can and leaves your text yours.
Say what is in the room and where the light is. That is the whole trick.
Updated September 27, 2026
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