
Use it for: a hand that glitches for half a second, a dead pause between two lines, a moment where someone looks into the lens.
In Keep mode the handles frame what stays, so everything outside them is cut — that is how you trim the start and the end. In Remove mode the handles frame what goes, so the outside is kept and the two outer parts are joined. If the handles are still at the two ends when you switch to Remove, they jump to frame the middle third of the clip, so you start from a real selection; if you had already moved them, they stay where they are. Check the track after switching.
A straight cut: the frame before the removed part is followed directly by the frame after it. When the camera and the people are still, the jump is small; when someone is moving, it shows as a jump. Cut where the motion pauses — between two lines, at the end of a gesture, at a blink — and the join is hardest to notice. The sound is cut at the same points, so a word spoken inside the removed part disappears with it.
Anything up to all but one second of the clip. When you drag the handles so far apart that less than a second would remain, the panel holds them back and says Keep at least 1s. If both handles sit together, nothing is removed. A cut that ends right at the start or the end of the clip is the same as trimming that end in Keep mode.
Each save removes one stretch. To remove two separate moments, save the first cut, then trim the trimmed version again for the second. Each save costs 5 credits, and the second trimmed version replaces the first — the segment keeps one trimmed version. How versions are kept.
If the glitch is in how the shot was framed or who is in it, removing it only shortens the problem. Change that shot in the storyboard and regenerate the segment. If the problem is a wrong word rather than a wrong moment, use Redub. Trim, AI visuals or Redub.
| You want to | Mode | Handles go |
|---|---|---|
| Drop the first second | Keep | Start handle one second in |
| Stop right after the last line | Keep | End handle just after the line |
| Drop a frozen beat in the middle | Remove | Either side of the beat |
| Drop two separate moments | Remove, twice | One stretch per save |
No, it is a straight cut. Choose a still moment for a clean join.
Only if a line was spoken inside the removed part; that sound goes with it.
No, one per save. Save, then trim the result again.
Yes. Composite and download use the trimmed version while it is active, at its new length.
Switch to Remove, frame the moment, preview the join, save.
Updated September 30, 2026
Pricing·Novel to Video·Guides·Samples·Support·Privacy·Terms·Legal·Contact·© 2026 SceneMixer