
Four ways to start if you are not sure AI Create is the tab you want.
Genre: revenge, romance, cultivation, workplace, horror, comedy. It sets the rhythm and the kind of hook each episode ends on. Lead: one person, named or not, with a want. Conflict: the person or force against them; a story with no opponent drifts. Ending: even one word (she wins, they never meet again) keeps the episodes pointed somewhere. Tone: cold, warm, absurd, slow-burn. Optional: the setting and era, and the number of episodes.
Before: A love story in Shanghai. — After: A slow-burn romance in 1990s Shanghai: a night-shift radio host falls for a caller who never gives her name; his producer wants the segment cut; he finds her on the last night of the show; bittersweet.
Before: Cultivation, main character gets strong. — After: A cultivation revenge story: a sect’s kitchen boy is framed for a theft and cast out; he returns ten years later as a grandmaster to expose the elder who framed him; each episode ends on a reveal; ruthless.
Camera directions, shot lists, character sheets — those come from the read and the storyboard later. Long backstory: the script will invent what it needs. Several stories at once: one brief, one story; write again for another. Real people and brands: keep to invented names.
Pick the length under Length: from a mini at 1,000 characters to a long script at 20,000; the price on the button follows. The script is written in the language you are using the site in. Length and cost · Your language.
Write again with a sharper brief; each writing is priced on its own and every draft stays in Writing History. Or take the draft into a project anyway: the summary, cast and storyboards are editable, and text edits are free. After the script is written.

| Put in | Example | Why |
|---|---|---|
| Genre | revenge drama | Sets the rhythm and the episode hooks |
| Lead + want | a disowned heiress who wants the firm back | The story has a centre |
| Conflict | her brother buries the truth | Episodes have something to push against |
| Ending | she wins and forgives no one | The episodes point somewhere |
| Tone | cold and fast | Dialogue and pacing match |
One or two sentences with the genre, lead, conflict, ending and tone. Longer is fine; vaguer is not.
Fills the box with an example brief you can edit or replace.
No. The read writes detailed descriptions later, and you can edit them in step 2.
Yes, in the brief. The length you pick sets how much script there is to split.
Write again with a sharper brief. Every draft stays in Writing History.
Updated September 26, 2026
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