Vertical feed delivery
Updated September 20, 2026

Short-form feeds want a tall frame, a fast opening, speech that reads without sound on, and a length that fits a single sitting. Those are production decisions, not export settings, and three of the four have to be made before any video exists.
| Requirement | Decided | How |
|---|---|---|
| 9:16 vertical | Step 1, before any art | Aspect ratio is a project setting; reference art and every shot are composed for it. Not a crop. |
| Immediate hook | Episode breakdown | Openings start on the problem; episodes end unresolved, with the kind of ending rotating. |
| 60–120 seconds | Episode outline | Short-drama pacing caps at 240s; vertical series usually settle in the 60–120 band. |
| Captions | After export | Deliberately not burned in — no video model spells reliably, so text goes on at the platform. |
| Dialogue in the viewer's language | Step 1 | Language is chosen once and the lines are authored in it, rather than dubbed afterwards. |
Two reasons, and neither is laziness. Current video models cannot produce reliable lettering — asked for text they return plausible-looking garble, which is why nothing in this pipeline renders words in frame at all. And even if they could, burned-in captions would freeze one language and one style into the file: changing them would mean re-rendering shots rather than editing a caption track. So you export clean video and caption it where captions belong.
The same applies to hook cards and end cards for a series episode: overlay them on the platform, change them per post, re-render nothing.
Video from 10 credits per second of output (≈ $0.06/s at the lowest credit price), assembly 1 credit per second, shot lists 1 credit per hundred characters, analysis 4 credits per thousand. New accounts get 50 credits, 15 free reference images and one free preview. The cost breakdown prices out a full eight-episode series; the vertical page covers what changes in a tall frame.
Languages
Every series below was produced by the same pipeline with the cast speaking that language natively: the interface, the working documents and the spoken lines are all in one language, and nothing is dubbed. Open one to hear it.
A Carta de LisboaPortuguêsNative dialogue
윈터 프라미스한국어Native dialogue
El Secreto de CostaEspañolNative dialogue
浪人の誓い日本語Native dialogue
Ikrar JakartaBahasa IndonesiaNative dialogue
Зимняя коронаРусскийNative dialogue
L’Héritier du DéfiléFrançaisNative dialogue
Il Tavolo dell'OlivaItalianoNative dialogue
De Vuurtoren van de FjordNederlandsNative dialogue
العهد الصحراويالعربيةNative dialogue
Çantasındaki SözleşmeTürkçeNative dialogue
Die Istanbul-TäuschungDeutschNative dialogue
Останній сигналУкраїнськаNative dialogue
問劍青雲繁體中文Native dialogue
The Last EnvelopeEnglishIn your languageNo, deliberately. No current video model produces reliable lettering, and burned-in text would lock one language into the file. You export clean video and add a caption track on the platform, where you can change it per post without re-rendering.
Not by cropping — there is no reframing pass. Vertical output comes from setting the project to 9:16 before reference art is generated, so every shot is composed for the tall frame.
Sixty to a hundred and twenty seconds is the working band for vertical short drama, and the outline paces for it. The format's ceiling here is 240 seconds per episode.
A small corner badge is applied at delivery by default. Paid members can switch it off for subsequent renders. Whatever a given platform requires in the way of AI disclosure is the platform's rule and worth reading yourself.
No. There is no posting integration — you download the finished episode and upload it yourself, which is also what lets you caption the same master differently per platform.
Set the frame, render five free seconds, watch it on your phone.
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