
Open a segment and read its header: the props line lists the sheets that travel with it; remove a prop from the text and the line drops it.
One object, white background, three-quarter view, light used to reveal material (brushed steel, cracked leather, lacquer). No hand, no table, no scene: the sheet is a reference the models look at when the object appears, and anything else in it would appear too. Same Prop in Every Hand.

What it is, then size (fits in a palm; as long as a forearm), then material and finish, then wear (nicked edge, worn grip), then the one mark that makes it this object (a brass plate with initials). Skip what it means to the story; the sheet cannot draw meaning. Describe the Cause, Not the Result.
If the object’s structure changes during the story, each form is a state: the sheath and the drawn blade; the watch whole and the watch with a cracked face; the letter sealed and the letter opened. The main sheet is the everyday form; states are generated from it and chosen per scene. Being held, lying on a table, catching the light, covered in mud: those are described in the shot text and do not need a state. Use a State in One Scene.
Each segment header carries a props line naming the objects that appear in it; those sheets are attached as references when the clip is generated. The line is filled from the storyboard text and cleaned up before saving: a prop that the shots never mention is removed. So if a prop is missing from the clip, check that the shot text names it. Props and Locations in a Shot.
A framed photograph of the heroine, a wanted poster with the villain’s face, a portrait over the fireplace: these are props whose image would carry a face into the scene, and the models copy faces from references literally. They are kept as props in the storyboard but are not attached as reference images; describe them in the shot text instead. Project limits: up to 100 props per project by default.
| Change to the object | Handle as |
|---|---|
| Sword drawn from scabbard | State |
| Watch face cracked | State |
| Sword held in the left hand | Shot text |
| Watch lying on the nightstand in lamplight | Shot text |
| Letter opened | State |
| Letter covered in mud | Shot text |
Remove any mention of holding from the description; the sheet is the object alone.
The carried, everyday form; other forms are states.
Check that the shot text names it; the props line drops unmentioned props.
Its face would be copied into the scene; portraits of characters are described, not attached.
Each state image is a generation at the sheet price; the first project has a free allowance.
The sheet is what it is; the shot says where it is and what happens to it.
Updated September 27, 2026
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