AI Scene Generator

A plate, not a poster

The temptation with location art is to make it beautiful: dramatic side light, fog, a shaft of sun through the window. That is exactly wrong for reference art. Whatever light is baked into a plate is inherited by every shot that uses it, and then fights the per-shot lighting the storyboard asks for — you end up with a 3 a.m. scene lit like a noon scene because the plate said so. So plates are generated to a narrower brief:

• Three layers of depth — foreground, middle, background — so the model has real spatial structure to work with rather than a flat wall.
• The light source is named, not its effect. "A bare bulb above the counter" rather than "warm light on the countertop". Describe the effect and the model paints a patch of colour exactly where you said it lands.
• No mood grading, no silhouettes, no fog, no light shafts, and no people. Anything that competes with the space for attention is noise in a reference.
• Several angles per location. A location can carry multiple sub-plates for different camera positions, so cutting around a room does not mean re-inventing it.

Three style axes, three jobs

Look is controlled by three independent settings, chosen once in Step 1. They are kept apart on purpose: overlapping them is how a project ends up with every character dressed the same and every room graded the same.

Members can write their own descriptor for any axis instead of picking a preset. Whichever you choose, the rule for writing one is the same as everywhere else in this pipeline: describe the cause, not the result. "Concrete, steel and unfinished plaster" is a brief; "dramatic and impressive" is not.

Props get the same treatment

Props are generated on a plain background with lighting used only to reveal material — is it brushed or polished, cast or forged. An object that lives in a sheath or a case is drawn with the contents out and the container beside it, because a plate of a sheathed sword teaches the model that this object is a sheathed sword, and the moment a character draws it on screen the blade turns back into a scabbard.

Reuse, limits and cost

Location and prop art is generated once per project and reused by every episode — that reuse is the whole point, and it is also why the art is worth reviewing before you generate video. A project holds up to 100 characters, 100 locations and 100 props by default, within an overall budget of 200 assets and shots. Location and prop art is billed separately from script analysis (4 credits per 3,333 characters of English text): each account gets 15 reference images free, and images after that are 7 credits each on the default image model. Full table on the pricing page; the generator overview shows where scene art sits in the run.

Every episode, in fifteen languages

The dialogue language is set once in Step 1 and the whole run is performed in it, with the target-region setting moving names, faces and streets to that market at the same time. Each sample below was produced that way, one per language.

Frequently asked questions

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