
Parse a short scene written both ways — as lines and as prose — and compare the episode outline: the lines survive verbatim, the prose becomes a summary.
Speaker: sentence. One sentence per line. Speaker names as they appear in your cast; nicknames are matched when the script introduces them. Brackets between the name and the colon hold the delivery note; brackets inside the line are read as stage direction and not spoken. Screenplay layout (name on its own line, dialogue below) is also read. What the parse does with the rest: Upload a Script and Parse It.

Put how the line is said in the brackets: (whispering), (through tears), (flat). The note travels with the line into the storyboard and shapes the performance in the clip. If you leave it out, the storyboard adds a plausible one; yours is better. Keep it to a few words; a sentence of direction is acting instruction for the storyboard, not for the line.
Write the off-screen marker first in the note: Father (on the phone, hoarse): Come home. The clip then plays the line without showing the speaker’s mouth. Voice-over narration is (voice-over); inner thoughts (inner voice). Without the marker, an absent speaker may be put in the picture. Storyboard side of this: Dialogue Lines, Voice-Over and Captions.
Time jumps and place cards go on their own line as (caption: …). On-screen captions are not switched on at the moment, so such a line does not appear as text in the clip, and the video models do not draw readable words on their own. Write time jumps and place cards this way anyway, so they carry over if captions are switched on, and add any readable text in a video editor after download. Text on Screen.
Speech inside narration becomes summary. Lines with two speakers on one line (A: Yes. B: No.) are usually split correctly but are safer as two lines. Very long speeches are kept but will be cut across shots by the storyboard. Dialogue in a language other than your project’s dialogue language is translated into it at the parse.
| You write | The storyboard gets |
|---|---|
| Mei (quietly): I saw him. | The line, spoken quietly, on Mei's shot |
| She told him quietly that she had seen him. | A summary; nothing spoken |
| Father (on the phone, hoarse): Come home. | The line, heard, speaker not shown |
| (caption: Three years later) | Kept as a caption line; not drawn in the clip for now |
| Crowd: Run! | A group line, spoken in unison |
No. Name-colon lines are enough; screenplay layout is also read.
Then it is narration. Give it a speaker or mark it (voice-over) with a narrator name.
In the brackets before the colon: (whispering).
Yes, for lines in the recognised shape; the storyboard copies them word for word.
Lines are translated at the parse into the project's dialogue language; set that language in Step 1.
Written that way, the words in the clip are the words you wrote.
Updated September 27, 2026
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